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When they show emotion, the needle of this machine scratches up and down in a mini frenzy.
It helps them determine that they love and lust after each other.
Even so, the narrative becomes progressively darker.
It unfolds in flashback as Marston is interrogated late in his life by the Child Study Association of America and their Mc Carthy-like head, Josette Frank (Connie Britton). He struggles to defend himself from her accusations that he has been peddling obscene material.
In one of the film’s best and most bizarre scenes, we see them hiding in the college dorm of their new teaching assistant; beautiful young student Olive Byrne (Bella Heatchote), as she takes part in a sorority initiation rite.
suffers from some of the same problems as its characters in defining its identity.
It has all the trappings of a traditional period drama that yearns to be taken seriously and yet it’s also often very tongue-in-cheek and risqué.
Olive is the niece of Margaret Sanger, a leading feminist campaigner from the period, and shares her aunt’s fierce resistance to patriarchal conventions.
The sex scenes are always played at least partly tongue-in-cheek.